There’s the Constance bag, a favorite of Jacqueline Kennedy, the recently relaunched 1970s-era Evelyne and, on the vintage market, a slew of designs dating back to the 1920s. Since the 1920s, the brand has produced some of the most desirable leather goods in the world. While the Kelly and Birkin may be standouts, gracing the arms of everyone from royal heiresses to hip-hop stars in the past few decades, the handbags are but a small part of Hermès’s fashion offerings. Owing to the brand’s legendary commitment to deft, handcrafted construction, the Birkin is an investment that is coveted by collectors everywhere. After the two travelers were properly introduced, Birkin helped design Jean-Louis’s most famous contribution to the Hermès canon: the Birkin bag, a roomy, square catchall with the HAC’s trademark leather flap top and the addition of a lock and key. In 1981, Robert Dumas’s son Jean-Louis Dumas, then Hermès chairman, found himself sitting next to French actress and musician Jane Birkin on a plane, where she was complaining about finding a suitable carryall for the necessary accoutrements of motherhood. Kelly even once used one as a sling for her broken arm. Well-heeled women wear it on their heads, around their necks and, in a genius piece of cross-promotion, tied to the straps of their Hermès bags. Today, vintage Hermès scarves, typically adorned in rich colors and elaborate patterns, serve many functions, just as they did back then. Based on a woodblock designed by Dumas and printed on Chinese silk, the accessory was an immediate hit. Robert Dumas was also responsible for another one of the brand’s most iconic offerings: the launch of its first silk scarf on the occasion of Hermès’s 100th anniversary in 1937. Each Kelly bag takes between 18 and 25 hours to produce, and its 680 hand stitches owe solely to one Hermès artisan. In 1977, Hermès officially renamed the model for her, and the Kelly bag was born. Because she was photographed constantly, the coverage catapulted her handbag to international popularity. Later, actress Grace Kelly, then engaged to Prince Rainier of Monaco, is said to have used one of these bags to conceal her pregnancy during the 1950s. In the 1930s, Robert Dumas (son-in-law to Émile-Maurice Hermès, Thierry’s grandson) designed a smaller, trapezoidal take on the flap bag with a handle and two side straps. Today, 120 years later, the HAC remains in Hermès’s line - and its distinctive flap and clasping straps have laid the groundwork for some of the house’s other iconic bags. As the world made the switch from horse to automobile, the bag adapted, becoming a multifunctional travel satchel instead of a designated saddlebag. A tall bag secured with a folded leather flap (fastened with bridle-inspired straps), it was designed to transport riding boots and a harness. The first top-handled bag ever produced by Hermès was the Haut à courroies, which made its debut in 1892. Gradually, the house extended into accessories and luggage for its riders, and today, in paying homage to its origins, the family-run luxury brand resurfaces horse motifs in everything from clothing and modernist jewelry to pillows and handbags. In 1837, German-born French entrepreneur Thierry Hermès opened a saddle and harness purveyor in Paris. Still, it does feel like Lignes Sensibles, with all its emphasis on touch and togetherness, couldn’t have come at a better time.For Hermès, what began as a maker of leather equestrian goods for European noblemen would eventually grow into one of the most storied fashion labels in the world. It’s worth noting that Hardy conceptualised Hermes’ latest high jewellery collection years ago like the rest of us, he couldn’t have foreseen our present pandemic. “The necklaces are as soft as arms around the neck.” “The whole collection resembles a caress,” said Hardy. In other words, these aren’t pieces made for others to admire (though they definitely will), but for their wearers to feel a personal connection to - something sorely missing in our socially distanced reality. For all their embellishment and artistry, the jewellery pieces remain lightweight and discreet, which is very much aligned with Hermes’ brand of quiet luxury. Unlike the scarves, though, the Contre le peau necklace shines with over 800 brilliant-cut diamonds, weighing 45.3 carats in all.ĭespite that, the necklace, as the rest of the Lignes Sensibles collection, isn’t flashy (though it’s definitely fleshy). The piece sits around the neck like one of Hermes’ famous silk scarves. À l’écoute necklace in rose gold with prehnite, sapphire, tourmaline and diamonds.
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